TIFF 2018: «There is no more essential part of life, yet we prefer to see it and think about it as little as possible. In this respect, the film poses an important question: Is our flight from death also a kind of flight from life?»
Our in-depth exploration of Thelma is continued by looking at Joachim Trier’s many elegant visual solutions, echoes and mirrorings, and completing the discussion on motifs and overall coherence started in Part I.
The cat-and-mouse sessions between psychiatrist and patient form a thrilling acting laboratory, where M. Night Shyamalan’s fundamentally static set-ups are done with rigour and discreet invention. Bonus: film references.
The apparent simplicity of Split conceals a surprising amount of ideas, refinement and subtlety. This is a moment-by-moment analysis of the brilliant abduction scene, plus a hard look at isolation, corridors, animals and flowers.
Karlovy Vary 2017: Fancy having your dreams documented? Or maybe some tall story you made up for a laugh – or to get out of jail? Well, some indie filmmaker with an iPhone might just make you an offer you can’t refuse!
Karlovy Vary 2017: «Isn’t the real miracle of film the capacity to open up another view and give us a sense – however illusory – of seeing as others do, in a way we never considered, never even imagined?»