Nina Knag’s road to hell on a fine, strapping pavement of good intentions: Se meg
KVIFF 2025: Norwegians! They try to be nice but really they’re dark to the core – just how the Czechs like them!
KVIFF 2025: Norwegians! They try to be nice but really they’re dark to the core – just how the Czechs like them!
KVIFF 2024: Confidenza has a remarkable capacity to challenge spectators to push their own boundaries and rethink their sense of self and social connection.
KVIFF 2024: Back to my people, my Brigadoon-style episodic community, my lovely, fragile, tragicomic festival! What follow are the confessions of a diehard festival-head.
KVIFF 2023: Ernst De Geer’s Hypnosen («The Hypnosis») put a spell on audiences at Karlovy Vary last week. It’s hard to think of a more telling and darkly ironical critique of the seldom-questioned, self-satisfied direction of modern society.
Karlovy Vary 2020: We live in an age of creative awakening. This is the flipside, the upside of ‘post-truth times.’ We know not where this leads but it behoves us to make the best of the journey. The alternative is dystopia – and we all know what that is like!
KVIFF 2022: The truth about ‘girls on film’ according to director Nina Menkes.
Karlovy Vary 2018: «Is Putin charismatic? On the basis of a cursory appraisal we would surely say ‘No’ but we would just as surely be dead wrong – and quite possibly also dead.»
Karlovy Vary 2016: Houston, We Have a Problem! is a minor masterpiece of plausible fabrication, tracking real events with an unwavering satirical eye, and placing them in a perspective that is at once ridiculous and illuminating.
Karlovy Vary 2016: What makes Under the Sun so effective is the way it has managed to capture the beauty of North Korea and juxtapose it with social relationships that provoke, at best, a much more ambivalent response.
Karlovy Vary 2016: Rebecca Figenschau’s short drama-film Elephant Skin (2015) received its international premiere and a warm reception at Karlovy Vary International Film Festival (KVIFF) this week. But why is this the only new Norwegian film being shown here?
Karlovy Vary 2015: If you see one sex-film this summer, make it this one.
Karlovy Vary 2015: Norwegians – what are they good for? At the international premiere of Bobbie Peers’s debut feature The Disappearing Illusionist I found the answer and – trust me – it’s not what you think!