The Village, Part I: Motifs and story arc

Before The Visit came M. Night Shyamalan’s early masterpiece The Village (2004). Mismarketed and misunderstood as a horror movie, it has gained a following as a mood piece of pastoral beauty, intense emotion and stylised lyricism.

It Follows, part 1: Evil threatens Suburbia

David Robert Mitchell’s It Follows inspires awe far outside the ranks of horror film aficionados. This first entry in a series of three articles looks at 10 possible ways into the film, trying to put into words and pictures what makes the film so special.

It Follows, part 2: Nightmare in red

David Robert Mitchell offers an intelligent and deeply deliberate use of motifs. We reveal how sleep, water and the colour red create an “invisible”, parallel trajectory to the surface story of It Follows.

M. Night Shyamalan analysis project overview

Montages is running an analysis project about M. Night Shyamalan entire production, originating from studies of his early works from 1999 to 2006: The Sixth Sense (1999), Unbreakable (2000), Signs (2002), The Village (2004) and Lady in the Water (2006).

Realism – Search for Truth or Road to Nowhere?

«What gives a work the kind of mark of authenticity that can prompt the sophisticated cinephile to nod with approval and self-satisfaction at being able to appreciate such a difficult but worthwhile film?»