Éric Rohmer and the New Town in L’ami de mon amie (1987)

Éric Rohmer’s films are known for their talkative characters, but in L’ami de mon amie (1987) it is evident that the movie’s visuals are as important in telling the story.

Split, Part IV: Creativity in cramped quarters

A final look at M. Night Shyamalan’s Split, this time its formal approach with a special emphasis on his inventive use of point-of-view shots, stealthy camera movements, overhead and underhead shots, and many other subtleties.

The Happening, Part III: Do you think it could be plants?

A Shyamalan enthusiast is struggling mightily to come to terms with the conundrum of The Happening, a split identity film that swings wildly between excellence, rampant quirkiness and unchecked hysteria.

Maria by Callas by Volf

Tom Volf’s film Maria by Callas is by no means the first documentary about Maria Callas, by many considered to be the twentieth century’s greatest opera singer. Why, then, make yet another film?

The Happening, Part II: Goners with the wind

A guide to the many powerful suicide scenes, including the brilliant, icily electrifying opening where normality turns into nightmare. Plus motifs, visual ideas and references to earlier Shyamalan works.

Pennies from Heaven (1981)

The hero of this brilliant, darkly poetic musical is fantastically arrogant, loutish, self-centred, self-pitying and pathetic, played by Steve Martin as totally captive of his dreams and desires.

Return to Oz (1985)

This Disney production is remarkably dark and sophisticated, made during a brief period of a more adult approach to their live action family films. 11-year-old Fairuza Balk is absolutely enchanting as the resourceful heroine.

Agnès Varda in a box: Inhabiting TOUT(e) VARDA

«Her life as a mother dictated what spaces she would film in. Her feminist I takes place in the film, in the frame, behind and within the camera. Her installations are inhabitable, a shed of cinema to walk through and be within.»

The Happening, Part I: The twisted face of mankind

Say what you want about M. Night Shyamalan’s foray into disaster movie terrain, but its last 25 minutes are excellent, carefully walked through in this screenshot-based analysis.

Where Man Returns: Off the map it may be, but North Norwegian film is coming in from the cold!

TIFF 2019: When Man Returns may not sweep you away like some movie-land fairground rollercoaster, but it will take you on the kind of slow, arduous journey that is the hallmark of the North.

M. Night Shyamalan’s Glass: Fusion of shards

An initial response to the narratively complex and structurally beautiful Glass, which concludes the diverse trilogy of the meditative mood piece Unbreakable and the character-oriented suspense film Split.

The impeachment of Elio: Fruits and echoes in Luca Guadagnino’s Call Me by Your Name

This third and final piece will round up favourite moments, film-formal devices, and a large number of motifs, staging ideas, echoes and other structural properties that enrich this well-thought-out film.